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                <term xml:lang="en">Western art music</term>
                <term xml:lang="en">Traditional Congolese music</term>
                <term xml:lang="en">Evangelization</term>
                <term xml:lang="en">Missionaries</term>
                <term xml:lang="en">Local clergy</term>
                <term xml:lang="en">Liturgical music</term>
                <term xml:lang="fr">Clergé local</term>
                <term xml:lang="fr">Missionnaires</term>
                <term xml:lang="fr">Évangélisation</term>
                <term xml:lang="fr">Congo</term>
                <term xml:lang="fr">Musique traditionnelle congolaise</term>
                <term xml:lang="fr">Musique savante occidentale</term>
                <term xml:lang="fr">Musique liturgique</term>
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              <p>The twentieth century was a turning point for the evangelization of the peoples in the two Congo. Missionaries stop to reject every element of African cultures and try to understand the languages and customs of these countries. Western liturgical music gradually includes elements from traditional Congolese music, primarily to improve the priest conversion strategy. Composers, belonging to local clergy, European musicians or priests, contribute to the Africanization of religious music by the composition of masses mixing Western and African cultures. In the second half of the twentieth century, after Vatican II, the Congolese local clergy renews the genre of the song initiated by the missionaries of the early twentieth century. The traditional Congolese music now enters the liturgy. The next generation, being laity or religious, continues to compose liturgical music based on traditional music, which mixes also the influences of the current "world music".</p>
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              <p>Le XXe siècle est un tournant pour l'évangélisation des populations des deux Congo. Les missionnaires cessent de rejeter tout élément des cultures africaines et tentent de mieux appréhender les langues et coutumes de ces pays. La musique liturgique occidentale se teinte progressivement d'éléments issus de la musique traditionnelle congolaise ; il s'agit avant tout pour les prêtres européens d'améliorer leur stratégie de conversion. Les compositeurs, qu'ils soient issus du clergé local, musiciens ou prêtres européens, contribuent à l'africanisation de la musique religieuse par la composition de messes mêlant les cultures occidentale et africaine. Dans la deuxième moitié du XXe siècle, après le Concile Vatican II, les membres du clergé local congolais renouvellent le genre du cantique initié par les missionnaires du début du siècle ; la musique traditionnelle congolaise entre désormais dans la liturgie. La génération suivante, parmi les laïcs ou les religieux, continue de composer de la musique liturgique fortement imprégné de musique traditionnelle, à laquelle se mêlent les influences actuelles de la "world music".</p>
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