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            <title xml:lang="fr">Musiques et musiciens à Grenoble au XVIIe siècle (1590-1730)</title>
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                <title xml:lang="fr">Musiques et musiciens à Grenoble au XVIIe siècle (1590-1730)</title>
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                    <forename type="first">François</forename>
                    <surname>Caussin</surname>
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                  <date type="dateDefended">2016-09-07</date>
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                <authority type="supervisor">Clarisse Coulomb</authority>
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                <term xml:lang="en">Players of instruments</term>
                <term xml:lang="en">Bof violins</term>
                <term xml:lang="en">17th century</term>
                <term xml:lang="en">Music</term>
                <term xml:lang="en">Dance</term>
                <term xml:lang="en">Song</term>
                <term xml:lang="en">Parties</term>
                <term xml:lang="en">Musicians</term>
                <term xml:lang="en">Academy</term>
                <term xml:lang="fr">Chant</term>
                <term xml:lang="fr">Concert</term>
                <term xml:lang="fr">Fêtes</term>
                <term xml:lang="fr">Musiciens</term>
                <term xml:lang="fr">Dauphiné -- France</term>
                <term xml:lang="fr">Grenoble -- France</term>
                <term xml:lang="fr">17e siècle</term>
                <term xml:lang="fr">Michel Farinel (1649-1726)</term>
                <term xml:lang="fr">Musique</term>
                <term xml:lang="fr">Académie</term>
                <term xml:lang="fr">Bandes de violons</term>
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                <term xml:lang="fr">Danse</term>
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              <p>Many cities have had historical studies performed concerning their musical life and activities in modern times. But such a study has not yet been realized for the city of Grenoble.Some researches already attempted are dealing mostly with music and musicians of the 18th century. The present study aims at setting the bases for a fundamental analysis of the musical life and activities in Grenoble, during the so-called modern Epoch, and will concern a large 17th century, from 1590 to 1730, at the time when the baroque style emerges.Our first point will propose a summary of the knowledge that archivists and historians of Grenoble have collected, and which can  contribute to the history of music and musicians of this city. We try to realize the importance of musical activities in all social and public events in the city, and further, to discover traces of musical interest and activities in private homes, among local members of aristocratic society, until the days when these music lovers have organized the Académie du Concert, from 1724 on.Our second point will deal with the social group of all those who are professionally connected with music : instrument players, dance instructors, instrument makers. Among all those musicians, a particular attention will be paid to the case of the Farinel family, with emphasis on the carrier of Michel Farinel, a musician well known in Grenoble and also in Europe.</p>
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              <p>Bien des villes ont été l'objet d'études historiques sur leur vie musicale à l'époque &lt;i&gt;moderne&lt;/i&gt;. Cela reste à faire pour Grenoble.Dans les recherches partielles déjà effectuées, ce qui touche à la musique et aux musiciens concerne surtout le XVIIIe siècle. La présente étude vise à poser des bases pour une future analyse fondamentale de la vie musicale à Grenoble à l'époque &lt;i&gt;Moderne&lt;/i&gt;, et s'inscrit dans un grand XVIIe siècle, de 1590 à 1730, moment de l'émergence du style &lt;i&gt;baroque&lt;/i&gt;.Dans un premier temps nous faisons un état des connaissances que les archivistes et les historiens de cette ville ont rassemblées et qui peuvent contribuer à l'histoire des musiques et des musiciens de la cité. Nous tentons de comprendre les dimensions musicales de toutes les pratiques sociales et publiques de la cité, puis de trouver la trace de pratiques musicales dans les demeures des particuliers, de l'aristocratie locale, avant que ces amateurs ne s'organisent en &lt;i&gt;Académie du Concert&lt;/i&gt; à partir de 1724.Dans un deuxième temps, nous analysons comme groupe social les professionnels des métiers de la musique : organistes, ou maîtres de musique et de psallette employés par l'Église, ainsi que les indépendants de la ville : joueurs d'instruments, maîtres à danser, faiseurs d'instruments. Parmi ces musiciens, sont étudiés attentivement le cas de la famille Farinel et particulièrement la carrière de Michel Farinel, musicien grenoblois et européen.</p>
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