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Master Thesis

Nobody, performance filmique de Cyril Teste et du collectif MxM : vers de nouvelles composantes de la scène ou double audiovisuel hypersphérique ?

Abstract : In Nobody (2015), Cyril Teste and the MxM Collective put forward a multi spheric hybrid form, the Filmic performance, a major creative turning point in the performing arts. Beyond an extraordinary "astonishment", the shock is dual. The first one is aesthetic and linked to an artistic proposition, where cinema invites itself to the theatre. On the fixed screen overhanging the theatrical space, audio-visual images captured in the scenic space are projected in real time. Where are the components of the stage located? On the stage and/or on the screen? Are the theatre and video mediums autonomous, or interdependent? Moreover, the camera allows us to see the theatrical off-screen, to approach the intimacy of the protagonists. Does the spectator then fall into a theatre-reality, depicting our voyeuristic society? The second shock is cognitive. It’s caused by the talk about the excesses of benchmarking and the ordinary violence linked to the workplace, which are issues raised in Falk Richter’s texts. We will approach the elements of Nobody as closely as possible to confront them with the commitments of the text and redefine them.
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Master Thesis
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https://dumas.ccsd.cnrs.fr/dumas-03181553
Contributor : Faculté Des Humanités Université de Lille Connect in order to contact the contributor
Submitted on : Thursday, March 25, 2021 - 4:40:44 PM
Last modification on : Saturday, March 27, 2021 - 11:24:10 PM

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  • HAL Id : dumas-03181553, version 1

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Fabienne Chmielewski-Winne. Nobody, performance filmique de Cyril Teste et du collectif MxM : vers de nouvelles composantes de la scène ou double audiovisuel hypersphérique ?. Art et histoire de l'art. 2019. ⟨dumas-03181553⟩

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