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            <title xml:lang="en">'A Study in Sherlock Holmes : tales of humanisation' by Dr John Watson</title>
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                <term xml:lang="en">Sherlock Holmes</term>
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                <term xml:lang="en">Anatomy</term>
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                <term xml:lang="en">Dehumanization</term>
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                <term xml:lang="en">Optics</term>
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                <term xml:lang="fr">Sherlock Holmes</term>
                <term xml:lang="fr">Regard</term>
                <term xml:lang="fr">Anatomie</term>
                <term xml:lang="fr">Pathologique</term>
                <term xml:lang="fr">Déshumanisation</term>
                <term xml:lang="fr">Détectivité</term>
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                <term xml:lang="fr">Optique</term>
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              <p>Sherlock Holmes is considered here from the perspective of the ethological study done by doctor Watson, whose protean status and ambivalent relationship to the detective to whom he is the chronicler, the friend, the sidekick, the psychiatrist all at once, and sometimes even an extension of his own self, govern the genesis of the fictional tapestry offered to the reader’s eyes. Vision plays here a central part and inscribes itself as the fundamentally empiricist foundation of the detection which controls the narrative structure. The Watsonian intermediary, as the detective’s first reader and transmitter of the fictional through his status as the narrator, comes into conflict with his condition as a character, and is equally blurred in those moments in which he seems to become an integral part of the detective. Lastly, the anatomy of the Holmesian mind and its ambiguous relationship to crime, considered from a pathological standpoint allows the reversal of the roles of the detective and the doctor.</p>
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              <p>Sherlock Holmes est considéré ici sous l’angle de l’étude éthologique réalisée par le docteur Watson, dont le statut protéiforme et la relation ambivalente avec celui dont il est à la fois le chroniqueur, l’ami, l’acolyte, le psychiatre et parfois même une extension, gouvernent la genèse de la tapisserie fictive qui s’offre aux yeux du lecteur. La vision y joue un rôle central et s’inscrit comme le socle fondamentalement empirique de la détectivité qui régit la structure narrative. L’intermédiaire watsonien, premier lecteur du détective et passeur de la fiction au travers de son statut de narrateur, entre en conflit avec sa condition de personnage, mais est également rendu trouble par ces moments où il semble faire partie intégrante du détective. Enfin, l’anatomie de l’esprit holmésien et sa relation ambigüe au crime, considérée d’un point de vue pathologique, permet l’inversion des rôles du détective et du médecin.</p>
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