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Master Thesis

Première typologie de la musique dans le contexte numérique

Abstract : The aim of this dissertation is to enlighten the main issues of recorded music, in a digital context, going by information about recording industry crisis, which started in 2003 in France. Digitization and Internet expansion led to a real mutation in music production, and also in its role-player's behaviors. Through this document, we are mentioning the changes linked with this process and means used by music production role-players, who try to compensate for the recorded music crisis. Then, we are explaining how these role-players try to enhance their visibility, searching for new ways of promoting music through Internet, firms, and TV. As TV consists of important niche markets, we are dealing with it in this work to show the various ways music appears in this media.
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Master Thesis
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https://dumas.ccsd.cnrs.fr/dumas-00764204
Contributor : Bibliothèque Yves de la Haye - Icm Grenoble <>
Submitted on : Wednesday, December 12, 2012 - 3:33:56 PM
Last modification on : Monday, June 7, 2021 - 11:58:01 AM
Long-term archiving on: : Wednesday, March 13, 2013 - 3:54:47 AM

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  • HAL Id : dumas-00764204, version 1

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Guylaine Gueraud-Pinet. Première typologie de la musique dans le contexte numérique. Sciences de l'information et de la communication. 2012. ⟨dumas-00764204⟩

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