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Master Thesis

Bande dessinée et salles de ventes. La valorisation patrimoniale d'une littérature devenue matière artistique

Abstract : Daily object of consumption mass, comics can not be down to a product. His integration – fairly recent – in the art market is the proof than comics enjoys an other aura. This work ask the ways whose looks evolved on comics. A long time regarded like an « under-literature », comics, today, is frequently paraphrased in « ninth art ». If « ninth » is just a traditional numerical classification, it’s the word « art » who interest here. Indeed, different events have been transformed this media into a art practice ; this is called artification. This process is detailed in this study applied at comics. To understand how comics changed of statute, these pages look at chronological evolution of the media. Trace an object’s history prove his evolution. Comics find his origins both in Europe and United States, and they are today two of the three major world production areas. Since 70’s, comics gets modernized and professionalize. Comics lovers get together to promote their passion openly. Museum start to interest to comics so that Comics museum are opened , like in Bruxelles or Angoulême. Finally, art market act like a revelator of artistic practice. This work look on the comic place in trade, his age, his importance, and, using a intership, at the practical functioning of sells.
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Submitted on : Monday, February 20, 2017 - 11:59:48 AM
Last modification on : Wednesday, November 3, 2021 - 7:03:12 AM
Long-term archiving on: : Sunday, May 21, 2017 - 1:20:16 PM


Distributed under a Creative Commons Attribution - NonCommercial - NoDerivatives 4.0 International License


  • HAL Id : dumas-01471772, version 1


Valentin Mesnard. Bande dessinée et salles de ventes. La valorisation patrimoniale d'une littérature devenue matière artistique. Art et histoire de l'art. 2016. ⟨dumas-01471772⟩



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