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Master Thesis

Une « certaine » histoire du Théâtre (en) Corse à partir de l'expérience singulière du Teatru paisanu de Dumenicu Tognotti

Abstract : Why did drama institutions, professional companies, theatrical creations and repertoire emerge and develop so late and fragile in Corsica, a French territory imbued with traditional life, full of theatrical stories?
To answer, we have carried out a historiographical work on the subject "Theatre" in the Corsican context as of the signing of the Versailles Treaty whereby Corsica was assigned to France by the Republic of Gênes until liberation from the Italian fascist yoke in 1943, date of birth of Dumenicu Tognotti, a Corsican artist whose singular career we have decided to follow. Trained at the "Centre Universitaire International de Formation Et de Recherche Dramatique" of Nancy with Jerzy Grotowski, the latter took part to the organization of the "Maison de la culture" in Corsica (1968-1983), which we discovered in the course of our research on the theatrical decentralization period. He founded a theatre in Corsican, U Teatru paisanu, which aesthetic is at the crossroad of Grotowski and Artaud, and which first productions U Fiatu (1973) and A Rimigna (1974) are part of the Corsican protest movement of the 70's.
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Master Thesis
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Christelle Hodencq. Une « certaine » histoire du Théâtre (en) Corse à partir de l'expérience singulière du Teatru paisanu de Dumenicu Tognotti. Art et histoire de l'art. 2018. ⟨dumas-02870239⟩

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