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Master Thesis

Góngora et la musique

Abstract : This academic essay aims to analyze the relation between Góngora’s poetry and music, focusing on his romances, which were written to be sung, or those two cycles of villancicos, edited by us, he wrote to also be sung at the Cathedral of Cordova in 1609 (Corpus) and in 1615-1616 (Christmas-Purification). As the original music sheets have not been preserved, we were obliged to examine those conserved and project their execution on the other case. At the same time, it was necessary to analyze Góngora’s musical education and the role that music had in his day, so that we could understand how this poems were wrote, always with the objective of being sung. Therefore, we have briefly analyzed the role of the “fiesta" after the Trento Council and the fonction of the songs that were represented, taking into account that their goal was to be made music. Therefore, the poems, as the villancicos, will reach a new meaning.
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https://dumas.ccsd.cnrs.fr/dumas-02158004
Contributor : Uga - Ufr de Langues Étrangères <>
Submitted on : Monday, June 17, 2019 - 4:16:01 PM
Last modification on : Tuesday, May 11, 2021 - 11:36:57 AM

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  • HAL Id : dumas-02158004, version 1

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Maria Pérez Heredia. Góngora et la musique. Sciences de l'Homme et Société. 2019. ⟨dumas-02158004⟩

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