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Master Thesis

La place du spectateur dans les arts de la rue : Perhaps All the Dragons, Zéro Degré, L’Immobile, Trafic, Vivants, Quartier Libre !, Les Immobiles

Abstract : “The spectator’s place in street arts Perhaps All the Dragons, Zéro Degré, L’Immobile, Trafic, Vivants, Quartier Libre !, Les Immobiles” is a written statement made of two separate parts : a theorical part explaining three subjects : the history of street arts, its early stages as well as pioneers corporations. This part also questions the differences and the parallels between a spectator attending a street art show and a seated bystander in a performance hall. An evolutive and practical part of my own path as a spectator. I encourage you to discover some streets arts in which the bystander is approached in diverse ways.
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Master Thesis
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https://dumas.ccsd.cnrs.fr/dumas-02296490
Contributor : Faculté Des Humanités Université de Lille <>
Submitted on : Wednesday, September 25, 2019 - 11:34:22 AM
Last modification on : Thursday, January 9, 2020 - 11:59:00 PM
Long-term archiving on: : Sunday, February 9, 2020 - 8:56:05 PM

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Amélie Pascual. La place du spectateur dans les arts de la rue : Perhaps All the Dragons, Zéro Degré, L’Immobile, Trafic, Vivants, Quartier Libre !, Les Immobiles. Art et histoire de l'art. 2019. ⟨dumas-02296490⟩

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