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Master Thesis

L'influence du son direct « à la française » dans le cinéma d'Afrique de l'ouest aujourd'hui : un état des lieux des métiers de la prise de son en tournage en Afrique de l’ouest

Abstract : The profession of sound recorder in is defined and protected by laws and codes. The sound engineer and his team work by composing with the other trades of cinema, they have their place on the set, even if this changes following the technological evolutions. It is possible to live by exercising these occupations in France. Is it the same everywhere else? It seems obvious that this is also the case in other countries like the United States or Great Britain, but let's get out of the major poles of the cinema world scene which we very often hear about. The topic of this document is focused on a region of the world that we hear little about and that is not known well from the cinematographic point of view: West Africa. However, it is not,an empty desert concerning movie production and remarkable pieces. You know thatThe goal here is to draw a portrait of the professions of sound recording in West Africa today and to link it with French methods. There is a link between France and the part of the African continent concerned, obviously due to colonialism, does this also manifest itself in terms of sound recording?
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Master Thesis
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Submitted on : Thursday, September 24, 2020 - 3:54:10 PM
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Hugo Dardel. L'influence du son direct « à la française » dans le cinéma d'Afrique de l'ouest aujourd'hui : un état des lieux des métiers de la prise de son en tournage en Afrique de l’ouest. Sciences de l'Homme et Société. 2020. ⟨dumas-02948376⟩

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